Fu hongshuang
I embrace the rigours of science and the poetry of expression ;)Work
To See the Vast in the Narrow, 2025Map as Reflective Eye, 2025
Sea Shell, 2025
‘Tower of Babel’, 2025
Composing Practice I, 2025
Spore, 2024
Typewriting Tree, 2024
A Circle with One Ray, or a Cone with One Shadow, 2024
Chinese Typewriting Name Card, 2024
Qixi Series(for Dazzle), 2024
Weaving Cosmos, 2024
Untitled, 2024
Jesus Moon, 2024
Georgina’s 2024 Calendar , 2024
Made by fU hoNg sHuang, 2024
Non-linear Typeface Study, 2024
Witch’s Postcard, 2024
Scanning Stones, 2023
Would a Coconut tree ever dream of snowing?, 2023
Name Card, 2023
No where, now here, 2023
→Decipher, 2023
Projection, 2023
Rosetta ‘luo-sai-ta’, 2023
Kitchen Set as Lettering, 2022
A Study in Fake, 2022
Untitled Dream, 2021
Hannah, 2021
→Mediator, 2021
Amber, 2021
Writing
一个真心的问题灵隐八百问
Decipher
About
Cover: To See the Vast in the Narrow, 2025
© 2025 All rights reserved
厨房用具作为字体
Kitchen set as Lettering
2022
Kitchen set as Lettering
2022
Variable
Wooden cutlery, two cups in different size
Wooden cutlery, two cups in different size
When I started working on it, I set only one goal for myself: if type design often involves manual control of the brush or considerations based on experience, then I would use neither hands nor experience. Instead, I would use the most ready-made objects as the typeface itself. So, I chose disposable knife, fork, and spoon I collected from my school, along with glasses in different size.
It was indeed a fun play! When a glyph is disassembled into straights and curves, simple kitchen set could also become words. The blade of the knife is the determining factor for the font size, while the glass becomes the radian of everything. The utensils have set the rules, all I have to do is ink and press. I didn't deliberately decide whether the typeface I created should be serif or sans-serif, regular or italic. For this project, I only wanted to let intuition guide me more than anything else.